Portfolio — currently rendering
Yevhen
Myronov
Reel 001 Director · Producer8+ years making things move, look good and occasionally happen on time.
Let’s make something worth watching.
Role
Director
Producer
Head of productionI’m a Director & Producer with 8+ years in commercial video production.
I work across the whole thing — from a rough idea to a finished film. Sometimes with a full crew. Sometimes with three people and a prayer.
I care about good work, good people and not wasting anyone’s time.
You bring the project. I’ll figure out the rest.
Manifesto
I know how
this works
I’ve been doing this long enough to know that most productions are not actually complicated. They’re just full of people, opinions, deadlines and things that suddenly stop working.
The job is to keep the important parts moving.
Start with the idea.
Build the right team.
Make the thing.
Fix
whatever breaks.
Deliver something everybody is happy to put their name on.
In 2026, you can probably make a video yourself. The question is whether you want to spend your time doing it. That’s what I’m here for.
- Good idea first.No amount of production can save a bad idea. Although we can certainly make it expensive.
- Production should feel boring.Not because the work is boring. Because the problems were solved before the shoot.
- The final cut decides.Nobody watches the call sheet. Nobody watches the budget. Nobody cares how painful the night shoot was. They watch the film.
Selected work
Work
A few things from the hard drive.
Scroll the list
Method
Process
Every project
is different.
Sometimes there’s a crew of twenty. Sometimes there’s just me, a camera and a suspicious amount of coffee.
The scale changes. The standard doesn’t. I figure out what the project actually needs, build around it and keep it moving.
Scale is a budget parameter.
Quality is not.
You bring the task. I’ll build the setup. Simple enough.
Archive
Range
Other things I’ve shot, edited, directed, produced, fixed or otherwise been blamed for.
Contact
Say hi
I reply fast —
unless I’m on set.
Brief, pitch deck, treatment, half-baked idea — all welcome.
You probably already know what you need. Send it over.
Somewhere between pre-production and export.
